Archive for December, 2009

Looking Back And Looking Forward

Posted On: Thursday, December 31st, 2009 at 2:18 pm | By: MikeSpring

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This is officially my last blog post of 2009. The next time you read words that I’ve written, it will be 2010. I thought this seemed like the perfect time to look back at 2009 and also look forward into 2010.

There were a lot of newsworthy events in the VO field in 2009, so I thought we’d take a look back at five of the most notable and important news stories of the past year.

5.) CNN Brings Voice Over Acting to the forefront. Back in May, CNN ran a news story called “10 Jobs Cooler Than You.” On the list? Voice Actor! To quote the article (you can read it by clicking here), “Everyone knew Don LaFontaine, the infamous voice behind thousands of movie trailers, TV advertisements and network promotions. Voice actors also loan their chops to movies and cartoons. Wouldn’t it be neat to have your voice be familiar to the whole world?” Couldn’t have said it better myself.

4.) The 2009 Audie Awards. Normally, an awards show isn’t that big of a deal. Even when they relate to voice overs, such as the American Publishing Association’s Audie Awards (honoring achievements in audiobook recordings), they still aren’t necessarily considered news. But this year’s awards, the 14th Annual, were the biggest yet, drawing a record 1,000 entries from audio publishers, which just goes to show how successful and diverse the audiobook field  currently is. There are 31 categories in the awards, and almost every one of them reflects an achievement in voice acting. You can read the entire list of nominees and winners by clicking here. These are the only awards in the country solely devoted to spoken-word entertainment, and the fact that they’re growing year after year is great news for voice actors.

3.) The Rise of Motion Comics. It’s been a little while since there’s really been a new medium to take advantage of voice overs like Motion Comics. Internet animation saw a huge rise in the early 2000s, but in the  past few years, one of the most exciting new venues for VO work has been Motion Comics. Due to  increasingly popular comic book-based movies such as The Dark Knight, Spider-Man, Watchmen, etc., the major comic book publishers (and many independent ones) have begun creating motion comics. These are semi-animated versions of existing comic books that add animated special effects, sound effects, and voice actors performing the dialogue of all of the characters. These are incredibly well-produced videos, and they’ve become extremely popular online and especially on mobile devices, such as the iPhone. Check out scenes from the popular Astonishing X-Men Motion Comic below.

2.) Fond farewells. In 2009, it we lost a lot of talented actors and creators, especially ones with careers or an impact in voice acting. Brittany Murphy, Roy Disney, Connie Zimet, Soupy Sales, Fred Travalena, Wayne Allwine, Patrick Swayze, Bea Arthur, Billy Mays, Danny Gans, Ed McMahon, Dom Deluise, Ted Kennedy, Harve Presnell, Karl Malden, Ricardo Montalban, Ron Silver, and Walter Cronkite all had varying degrees of experience or impact in the voice over world, and all of their voices will be missed.

1.) The Internet. It seems like the internet is reinventing the world every couple of months as it is, but 2009 was the year that I really saw the voice over field explode online. From social media sites like Twitter and Facebook (which are filled with voice over actors, producers, and studios) to personal websites and blogs to the proliferation of voice over-related videos on sites such as YouTube, the internet has truly become an amazing marketing tool for today’s working voice actor. The internet’s been around for years, but 2009 is the year that voice actors started to really put its full potential into overdrive. And without it, how would we discover great videos like this one giving us a terrific behind-the-scenes-look at the creation of the voice overs for a hit video game?

Looking forward, as I mentioned in the latest episode of Voice Coaches Radio, I’m not really big on New Year’s resolutions, but I thought maybe I’d throw a few out there for fellow voice actors who might be looking for a little motivation heading into 2010. So, in no particular order, here are some New Year’s resolutions for voice actors:

1. I will spend at least 15 minutes a week marketing myself.

2. I will remember that every “no” is one step closer to a “yes.”

3. I will tell everyone I know that I am a professional voice actor; you never know where a potential job might come from.

4. I will remember that voice acting is fun, and I will have fun doing it.

5. I will remember that Rome wasn’t built in a day.

6. I will continue to practice, practice, practice!

7. I will try something new.

8. I will continue to remain positive, motivated, and upbeat.

9. I will believe in my own potential for building success.

9 1/2. I will read the Voice Coaches Blog every week. (Okay, okay,… sorry. I couldn’t resist that one!)

9 3/4. I will listen to Voice Coaches Radio every week. (Okay, I’ll stop now. I promise!)

10. I will see every challenge as an opportunity.

So that wraps up my blogging efforts for 2009. I’ll be back next week to kick off a new year — and a new decade — of Voice Over fun, news, and information! Thanks for reading in 2009!

From all of us here at Voice Coaches, we wish you a happy, healthy, and successful New Year!

Voice Overs Of The World: Sense Of Wonder

Posted On: Monday, December 28th, 2009 at 11:48 am | By: MikeSpring

For this week’s Voice Overs Of The World, I wanted to look at a few different ads that all do one thing considerably well: convey a sense of wonder. Each of these three advertisements would have been portrayed in a more traditional announcer-style voice just 20 years ago, but as we’ve moved to the conversational style of delivery in voice overs, each of these pieces’ delivery has evolved as well. In each commercial, the voice over at work doesn’t try to just convey hard, cold facts. Instead, they try to fill you with a sense of wonder at the technology or product involved, even though they’re for such simple products as carpeting, bird food, and heating/cooling systems.

In the first ad above, a visually stylish piece for SmartStrand Carpets, the female narrator evokes a sense of wonder form the very first words, “Something extraordinary is happening.” With a breathy tone and a slow pace, she heightens the “suspense” of the piece, as you wonder how all these various living room disasters are going to end. Notice the music that underscores the voice over is also very ethereal and atmospheric, heightening the mood of the piece. Even when she switches gears at the end of the commercial to pitch the product in a more traditional way (”Get a lifetime of built-in protection from Smartstrand with Dupont Sorona, only from Mohawk”), the delivery remains soft, slow, and breathy, rather than switching to a more announcer-type style, even though it culd have been done using the same voice.

Also notice that, although a non-slow-motion mom appears at the end of the commercial, chances are extremely low that the actress that appears on camera is the same actress performing the voice over.

In the Scott’s Songbird bird food commercial above, we find a very similar approach. The male voice actor shares how Scott’s food “attracted twice as many colorful birds as ordinary blends.” And much like in the SmartStrand commercial above, the dialogue in this piece lets you know right off the bat that Scott’s has “discovered something amazing.” But it’s the narrator’s slow, soft and pleasant delivery that really tells the tale. What I like about his approach is how he sounds almost a little surprised by the results, as if to convey that even Scott’s themselves didn’t realize how good their bird food was until they tested it. I’m sure the company strongly believes in its product, but by keeping the voice over sounding just a little bit surprised, it makes the company come across as humble and unassuming, something which seems to me would appeal to many bird watchers.

In the final commercial, for Mitsubishi Electric Heating and Cooling, the company takes an interesting approach to something that could easily be considered mundane: HVAC systems. But the company wants to liken their product to traveling the world and going to exotic locales where the air quality is pure, crisp and clean. The visual imagery is clearly paramount in the spot, but the voice over is like liquid wonder. In fact, it’s used sparingly, but it is extremely effective. Once again, atmospheric and ethereal music contributes to the overall mood of the piece. Interestingly, in this spot, the producers chose a voice with a vaguely European accent, and I think the vagary of the accent is 100% on purpose. This is a spot meant to make you feel as if you are journeying far across the globe to places untouched by man. With an accent that’s not clearly defined, the voice over adds to the entire commercial’s worldly feel, completing the effectiveness and exoticness of the piece.

I find all three of these ads to be extremely effective in their own right, but the expertly-cast and perfectly delivered voice overs in each one really cement each commercial’s sense of wonder.

Voice Overs Of The World: The Island of Misfit Toys

Posted On: Monday, December 21st, 2009 at 11:49 am | By: MikeSpring

In this installment of Voice Overs of the World, I thought we’d get into the spirit of the holidays and look at a classic Christmas Voice Over and a new one inspired by the original. In the above video, from Rankin-Bass’s classic stop-motion animated special The Island of Misfit Toys, the main characters are the well-known and well-loved Rudolph the Red-Nosed Reindeer, Yukon Cornelius, Hermey the Elf, and Charlie-in-the-Box.

The voice cast was made up not of celebrities, but rather talented voice actors who made a living with their voices. Rudolph was voiced by Billie Mae Richards, while Yukon Cornelius was voiced by Paul D. Mann. Meanwhile, Paul Soles provided the voice of Hermey the Elf and Carl Banas brought Charlie-in-the-Box to life. Billie Mae Richards played Rudolph in several Rankin-Bass specials and is known worldwide for her portrayal of the character. She was also a starring voice in the Care Bears television cartoon and movies. Larry D. Mann had a prolific career that spanned from the 1950s to the early 1990s, starring in such shows and movies as Scooby-Doo, Howdy Doody, The Pink Panther, and Return to Oz. Paul Soles had a shorter career but is fondly remembered for voicing Spider-Man/Peter Parker in the 1960s animated series Spider-Man. Carl Banas, a former radio DJ, has continued to act in voice overs through present day. He voiced characters in shows such as The Busy World of Richard Scarry, Babar, Hello Kitty, and Spider-Man, as well as numerous commercials throughout the years.

I don’t think I have to say too much about the voices behind these characters. The Rudolph specials have been on the air since 1965, and they get repeated every single year without fail. Millions of children across the world have grown up to the sounds of the characters created by an incredibly talented stable of voice actors. If that doesn’t speak volumes, I don’t know what does.

The next video is a Verizon commercial that’s been airing for the past month or so, in which the iPhone ends up on The Island of Misfit Toys due to its supposedly limited coverage area. I’m not sure if that’s Carl Banas doing the voice of Charlie-in-the-Box or not, but as he is still alive and active in voice overs it certainly could be him. If it’s not him, it’s definitely an uncanny mimicking of his voice. What I like about this ad is the fact that Verizon didn’t go halfway with it. In addition to recreating the world of the Misfit Toys in stop-motion like the original specials (and with a pretty uncanny attention to detail), the voices and music are all perfect recreations of the style of the originals. While this is a clever ad that takes pot shots at Verizon’s main competitor, it was obviously created with a sense of appreciation for the original source material.

It just goes to show how enduring the original Rudolph specials (and the voice talents behind them) are when 40+ years after they originally aired, they’re being used as inspiration for advertisements.

From all of us here at Voice Coaches, we hope you all have a wonder-filled and wonderful holiday!

A Young Voice Silenced

Posted On: Monday, December 21st, 2009 at 10:17 am | By: MikeSpring

The acting and voice over world lost a shining star yesterday when it was announced that Brittany Murphy, star of films such as Sin City, 8 Mile, Girl Interrupted, Clueless, and Don’t Say A Word, had died.

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Ms. Murphy, at only 32, had been acting professionally since she was a child and in addition to dozens of notable film and television roles, she was also quite an accomplished voice actor. Ms. Murphy provided the voice of Luanne Platter in over 230 episodes of Fox’s hit animated series, King of the Hill. After airing for 12 years, King of the Hill had just concluded its successful run last season. In addition, she also lent her voice to lead roles in films such as Happy Feet and Futurama: The Beast With A Billion Backs. She even did some non-film voice acting, providing a lead voice in 2005’s hit urban video game Marc Ecko’s Getting Up: Contents Under Pressure.

Watch a clip of Brittany Murphy as Luanne on King of the Hill above.

Ms. Murphy was also putting her voice to use in a musical way, with a side career as a singer. In 2006, she released the single “Faster Kill Pussycat,” from Paul Oakenfeld’s album A Lively Mind. The song became a hit, reaching number one on Billboard’s Hot Dance Club Play chart. She sang for her role in Happy Feet, performing Queen’s “Somebody to Love” and Earth, Wind & Fire’s “Boogie Wonderland.” In the late ’90s, she fronted her own band, called Blessed Soul, and even performed for troops overseas on a USO tour in 2003.

We’re sorry to see you go so young, Brittany. Rest in peace.

Watch an interview with Brittany Murphy on The Late Show with David Letterman above.

The End Of An Era

Posted On: Friday, December 18th, 2009 at 1:44 pm | By: MikeSpring

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The Walt Disney Company and the animation world at large suffered a loss on Wednesday, December 16th, when Roy E. Disney, the nephew of Walt Disney and guiding hand of the Disney company for the past several decades, passed away.

Roy Disney never voiced a character or directed a film, but his creative leadership was integral to Disney’s longevity and its animation resurgence in the early ’90s. In 1984, when Disney’s animation division had shrunk to a fraction of its former self, Roy Disney spearheaded a movement to have the company’s then-CEO Ron Miller removed. Disney brought Michael Eisner and Frank Wells in to run the company and took a position as chairman of the animation division. Under his direction, the studio produced an unprecedented string of animated hits that include beloved films such as The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King.

Watch Roy Disney’s Oscar-nominated Animated Short, DESTINO, above!

Roy E. Disney followed in his Uncle Walt’s footsteps, eschewing the path of his father, Roy O. Disney (who worked on the financial side of the company), for the creative side. He started working for The Walt Disney Company in 1951 as an editor, screenwriter, and producer, working on many notable short films, including The Living Desert and The Vanishing Prairie. He was even nominated for two Academy Awards for his work.

Over the past two decades, Roy Disney had made himself indispensable as an on-camera interview subject and historian in the Disney Company’s documentaries. He appears in major making-of documentaries on nearly every Disney DVD that’s been released since the 1990s. Like most Disney personalities, Roy Disney did find himself behind the microphone once or twice. In 2001, he voiced a cameo of himself in the animated series Disney’s House of Mouse in an episode where Mickey had accidentally sent him an angry fax meant for Mortimer Mouse. He also provided some additional voices in 1985’s animated film The Black Cauldron.

Rest in peace, Roy. Your inspiration on Disney films and the world of animation will be missed.

Voice Overs Of The World: Raisin Bran Crunch

Posted On: Monday, December 14th, 2009 at 2:34 pm | By: MikeSpring

In this installment of Voice Overs of the World, I want you to see an interesting and innovative viral video from Raisin Bran. (I know, I know… Raisin Bran?) In this new online promotional video, a rather grotesque looking alien creature rambles on about  life in general, and eventually gets around to mentioning his new diet (which includes Raisin Bran Crunch, of course.) It’s an extremely clever ad (and I recommend a second viewing; some of the jokes really take a second to sink in), but it’s clear that the voice over is what really makes this piece work.

By casting a Ricky Gervais-like British voice in the role of the alien, the ad makers have given us a classic staple of ironic humor: subverting our expectations and giving us the complete opposite of them. While you might expect an alien that looks this ferocious to have a deep, growly bark for a voice, instead it’s a pleasant British chap who goes on about bowling and online dating in the same tones as he does devouring the garbage man. The voice over actor does a really terrific job of sounding like your average, everyday neighborhood “hellbeast bent on destruction,” who’s really just a misunderstood guy. He also does a terrific job of sounding like he’s just rambling on and on, in kind of a “customer testimonial” sort of way. Now, I’m not privy to the behind the scenes of this video, but I would guess that while he may have ad-libbed a few lines, there was probably a pretty tight script at work here.

What’s subtly effective about this ad, too, is how much of it isn’t about Raisin Bran Crunch. Aside from a few lines at the beginning and again at the end, the product is hardly mentioned at all. Sure, the box of cereal is present in almost every shot, but the focus is really on the alien and the character the voice actor creates. It’s his performance, along with the humor of the dialogue, that keeps you watching for the entire 3-minute running time. I think it’s pretty brave of a major company to put out an internet video that barely talks about its product at all (and even when it does, it doesn’t truly convey any meaningful information except that it has fiber in it), but thanks to a creative approach and a really top-notch voice over, it works extremely well.

There’s An App For That

Posted On: Friday, December 11th, 2009 at 5:14 pm | By: MikeSpring

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Before I get started, let me assure you that this blog is not an iPhone commercial. Nor is this entry solely about technology, so even if you’re not a big tech junkie please keep reading.

I own an iPhone. I think it’s a great device with an incredibly wide array of functions that I utilize to make my life easier. It dawned on me recently that many of the things my phone does, though, are either useful for voice actors or can present opportunities for voice actors. What do I mean? Well, continue on, fearless reader!

A little background first: I currently have 65 apps on my iPhone, and that  doesn’t include the 15 or 20 that come standard with the phone. These are all ones I’ve downloaded through the App Store, either for free (most of them) or for a small fee. That might seem like a lot, but I know many people who have hundreds of apps on their phones. The ones on my phone range from games to social media apps to organization tools to internet accessories. But here’s where it gets interesting: of those 65 apps, an impressive 13 of them have some form of voice over in them.

That means that 20% of the apps on my phone have utilized at least one voice actor in them. Which begs the question: why aren’t you marketing yourself to companies developing iPhone apps? There are over 100,000 apps currently available, with dozens (if not hundreds) being added daily. Using some fuzzy math here, with over 100,000 apps in the App Store, if roughly 20% of them have voice overs in them, that equals 20,000 voice over jobs. Seems to me that THAT is an excellent market for voice actors. Why not research a few software development companies in your area and find out if they’re developing any apps for the iPhone or any other phone (such as the Droid or the Blackberry)? If they are, that seems like a pretty great place to pitch your services as a voice talent. Remember, it’s not just big companies that are developing apps anymore. Everyone from college kids in their dorms to the major TV networks are working on apps these days. Just recently, I received an e-mail from my bank (which is regionally limited to just 13 states) advertising their new iPhone/Blackberry app.

How about some apps that might come in handy for you as a voice actor? While there are none that I know of  that will allow you to record professional voice overs from your phone, there are certainly some that make for great practice tools. There are several voice memo recorders out there. If you want to practice reading out loud (or perhaps you want to practice a particular accent or character voice) and you want to hear yourself back, instead of booting up your computer or a handheld tape recorder, simply press a button on your smart phone and you’re recording. Since you almost always have your phone with you, you can even practice on the fly; if you find yourself with some downtime, you can use the voice recorder to capture your reading practice for review later.

A podcast I listen to has developed a basic app that allows me to listen to the latest episodes (as well as archived ones) without even having to download them to iTunes. Do you host your own podcast? An app might be in your future. I even recently found an app that allows you to stream live video and sound directly to the internet from your phone. I haven’t quite figured out all the potential uses for that app, but I imagine it might be used in a potential home recording session or self-marketing event.

The ultimate point of all this isn’t even that you should utilize technology as a voice actor. It’s that creative opportunities and new ideas are presenting themselves to us all every day. Open your mind and brainstorm on what ideas lie out there that you haven’t even thought of yet. Find unique, exciting, innovative ways to develop your skill and market yourself, and the future is wide open to you. And if there’s one thing that having an iPhone in my pocket has taught me, it’s that the future is never very far away.

Voice Overs Of The World: Harvard Infomercial

Posted On: Monday, December 7th, 2009 at 2:50 pm | By: MikeSpring

For this edition of Voice Overs of the World, I wanted to take a look at a spoof video that’s made its way online. This fake Harvard Infomercial is a pretty funny parody that pokes fun at Ivy League colleges. What I like about it the most, however, is how it really nails the look and feel of the real-life infomercials and commercials that we see on late night cable ads.

Of course, that extends to the voice over as well. A little ways into the commercial, a great parody of the stereotypical infomercial announcer comes in. Not only does the voice actor get the timbre and pacing of the voice right for this kind of part, but the editing really sends it into overdrive. By piling the words on top of each other in rapid succession, the impression that’s given is of an announcer that’s reading titles that are so pretentious, he can’t even keep up with himself. It’s a nice touch that really highlights the humor of the piece. Also, note how the music changes to underscore the approach of the voice over; it changes from soft, pleasant music to a hard edged rock, to really kick in the announcer/salesman style of VO.

The voice over comes in twice more throughout the piece, and each time the actor approaches the lines with a combination of announcer energy and stilted line-delivery, to really accentuate the awkwardness that often arises from infomercial announcers who are clearly just trying to read their lines as fast as they can.

What’s also great about this video is that it’s not a commercial, television show, or radio advertisement. It’s an online video, which just highlights the wide range of opportunities out there for voice actors. These kinds of short videos are everywhere these days, and they’re being created by everyone from bored college kids to major corporations. You never know when you might be called upon to provide the voice for an internet short, and they’re just as valuable and exciting a job as any other voice over work out there.

VO Behind The Scenes: When Luke Skywalker Meets The Joker

Posted On: Friday, December 4th, 2009 at 11:29 am | By: MikeSpring

I recently stumbled across a terrific little interview with Mark Hamill about voicing The Joker in a new video game on the pop culture website Geek Chic Daily. I’ve actually had the pleasure of meeting Mark Hamill in person and taking to him about voice overs (of which he’s developed a fantastic career in), and he’s a really personable and funny guy with an incredible talent for character voices and impressions. I thought it would be fun to share their interview with you so you could read about the differences between animation and video game voice acting.

Q: You’ve done the Joker’s voice in numerous animated incarnations including this year’s Arkham Asylum video game. Is that type of recording much different than a regular cartoon?

Mark Hamill: Yes and no. It’s different because you’re making all these small little jigsaw puzzle pieces to put into the memory of the game. It could be very schizophrenic in terms of its consistency. In this particular case, since it wasn’t based on the animated Batman and they weren’t so concerned with the youthful audience, you could make him much more dark and brutal.

Q: Have you ever used your Joker voice when telemarketers call?

Hamill: [Laughs] You know, that’s not a bad idea. I’m real self-conscious about doing it [in person] because it’s like you’re a magician’s assistant and it doesn’t look right coming out of my face. It’s tough because little kids wanna hear it so usually I say,  “Well, close your eyes!” or “Turn your back!” And kids, being the trusting young souls they are, immediately comply.

GCD: And then you dump a bucket of water on them.

Hamill: [Laughs] No, but you give them just enough Joker to prove that it really is you because it works much better in your mind than it does in front of your eyes.

As a special bonus, here’s a video interview with Hamill discussing his work voicing The Joker!